Reference Materials
Click these links to jump to the music notation glossary, a list of external links, and widgets.
Music Notation Glossary
Staff - the five horizontal lines between or on which notes are placed
Clef - indicates the range of notes that can be represented on the staff lines; middle C is the pitch that falls roughly in the middle of a full-size piano, so we will use it to compare the highness or lowness of the range of pitches on a staff
Treble Clef ('G clef') - for high instruments or voices; curves around the line to be used for the G above middle C
Bass Clef ('F clef') - for low instruments or voices; the dots surround the line to be used for the F below middle C
Alto Clef ('C clef') - for mid-range instruments or voices; the middle line is used for middle C
Grand Staff - two staves joined by a brace and used for a single performer; typically top staff uses treble clef and bottom staff uses bass clef, meaning that middle C falls on a ledger line between the two; standard for piano music
Note - indicates both the pitch (highness/lowness) and rhythmic value (duration) of the note to be sounded
Pitch - indicated by the vertical position (height) of the note on the staff in conjunction with the clef; note names (such as A, C-sharp, or E-flat) are also used to denote pitch; see Pitch
Rhythmic Value - the duration of a note is indicated by noteheads, stems, flags, and dots; see Rhythm
Note Head - the oval part of the note, the position of which on the staff indicates the pitch; may be open (an outline), or filled in completely
Stem - the line that goes up on the right side of the notehead, or down at the left side of the notehead
Flags and Beams - the curved lines that come off of the stems to indicate different rhythmic durations are flags; often succesive notes with flags are connected by horizontal beams as a replacement for individual flags
Dot - a small circle placed to the right of the notehead that increases the duration of the note 150% of the original rhythmic value
Rest - indicates the duration of silence between notes, see Rhythms
Time Signature - the top number indicates how many beats are grouped into a measure, and the bottom number represents the rhythmic duration that is counted as the beat (4 means quarter note, 2 means half note, and so on); see Rhythms and Beat and Meter
Measure ('Bar') - delineated by vertical barlines; measures mark groups of beats as defined by the time signature
Accidentals - sharps, flats, and natural signs; see Pitch
Sharp - indicates that a given note or collection of notes is to be played a half-step up
Double Sharp - indicates that a given note or collection of notes is to be played 2 half-steps (a whole step) up
Flat - indicates that a given note or collection of notes is to be played a half-step down
Double Flat - indicates that a given note or collection of notes is to be played 2 half-steps (a whole step) down
Natural - negates the effect of a sharp, double sharp, flat, or double flat
Key Signature - indicates the collection of notes to be used in a piece or section; the placement of sharps and flats indicates which pitches should be sounded up or down a half-step, and thus indicates the scale to be used in a particular piece or section; see Scales and Keys
External Links
Further Reading and Important Sources
- The Encyclopedia of Music, by Wendy Thompson and Max Wade-Matthews (Amazon.com)
An excellent introduction to musical instruments and composer biographies; concise, with lots of pictures - A History of Western Music, 8th Edition, by J. Peter Burkholder, Donald Jay Grout, and Claude V. Palisca (Amazon.com)
One of the standard textbooks used in music history courses for undergraduate music majors - Music in the Western World: A History in Documents, selected and annotated by Piero Weiss and Richard Taruskin (Amazon.com)
Source readings in music history - Oxford Music Online: Grove Music Online, The Oxford Dictionary of Music, and The Oxford Companion to Music
Grove is considered the definitive music encyclopedia, and the addition of the Oxford resources makes this an invaluable source for any music researcher - subscription only (available to CU users on campus network or using a VPN) - Naxos Streaming Music
Subscription only (CU users on campus network or using a VPN can click here to access the service) - ArtStor Digital Image Library
Subscription only (available to CU users on campus network or using a VPN)
General
- Dolmetsch Music Theory and History Online
- Online Companion to A History of Western Music, 7th Edition
This website is the companion to a textbook that is often used in music history courses for undergraduate music majors. The 8th edition came out in 2009, which may be why these materials from the 7th edition are now available for free. - Chronological Summary of Western Music History
- Naxos Music Genres
- "Why So Serious?" by Alex Ross
Article from the New Yorker on the history of the classical concert
Physics of Sound
- Tufts University Workshop: Physics of Music and Musical Instruments (PDF)
- Music Science at the University of New South Wales (Sydney, Australia)
- The Physics Classroom: Sound Waves and Music
- The Physics Hypertextbook: Music and Noise
- Hyperphysics: Sound
Instruments
- Naxos Musical Instruments Overview
- Virtual Piano
- Birmingham Grid for Learning: Virtual Keyboard
- The Method Behind the Music: Flash Piano
- VirtualPiano.net
- TheVirtualPiano.com
- Virtual Guitar
Ear Training
- Good Ear
- EarTrainer 2
- Ricci Adams' MusicTheory.net
- Teoria
- Aural Idiom Drill
- The Musical Mind
- Big Ears
- SolFi Ear Trainer Pro
- Diktus
